Author: Jamie Winder
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First came the lovers. Then the family, the ravens, the empty streets, and finally, himself. Across four decades, Masahisa Fukase pushed deeper into his art, until it became difficult to tell who possessed who: the photographer or the camera.
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Through infrared photography, a broken bond between a sacred tree and a family of devotees in Singapore is symbolically repaired through imagery of glowing white robes and foliage.
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An introduction to Strays, the independent photography community for artists working in the margins. With insights into the motivations and inspiration from the editor.
